Welcome to the (art) Collector's Corner, where we aim to bridge the gap across platforms and chains, elevating distinct artistic endeavors and empowering digital art connoisseurs. If you're new, thanks for reading!
After a scheduled hiatus during the month of January for some IRL obligations, we're glad to be back in the swing of things, poised and ready to showcase some of what's available around the digital arts scene. This edition includes releases and projects on Zora, objkt, Highlight, fx(hash), Verse and Rodeo; what we're reading and watching; and more.
As a housekeeping note, we started a dedicated (art) Collector's Corner Farcaster account and would appreciate everyone following it here. This will allow for a solely art-focused feed instead of one interspersed with the ramblings of my personal @fluffheadchaser account.
To see some of our most recently collected pieces and/or to get more timely information on releases, follow our (art) Collector's Corner channel on Warpcast.
(Cover image: "The condemned Fisherman" by @lucianaguerraok.)
-- FluffheadChaser 😊
On Zora:
"Under the northern lights" by @mikkolagerstedt:
Soon: "The condemned Fisherman" by @lucianaguerraok:
"The Condemned Fisherman" is a short animation from @lucianaguerraok's 'Alive series', where the artist reimagines Bosch’s chaotic universes. In this scene, we are immersed in a surreal, lysergic landscape where everything pulses with eerie vitality, shifting and morphing as if caught in an endless hallucination. A fisherman, trapped in a nightmarish loop, attempts to reel in a strange, elusive creature from the depths of hell. Meanwhile, a mischievous little devil—who has placed a spell on him—lurks nearby, taunting him and dragging him deeper into an infernal descent.
On Objkt:
Open Edition: @clownvamp's "The Junk Machine: Paris I"
Feb. 12: 'Settlements' by Rick Crane:
'Tool Stories' by Yuri_jjjj:
On Highlight:
On fx(hash):
On Verse:
Feb. 12: John Karel's 'jjjjjARs 001'
Recently on Rodeo: ðŸ¤
Reading, listening and watching:
fx(hash) token info:
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